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Sour
Jan 13, 2019 9:57:20 GMT -5
Post by betsey on Jan 13, 2019 9:57:20 GMT -5
Sour After Linda GregersonFor my Irish father, his expect-the-worst- and-you-won’t-be-disappointed world-view shaped by The Troubles, this latest gridlock, Air and Space lockdown no surprise. Lass, he says, words slurred with old-world brogue – Things fall apart. The center cannot hold…
The best lack all conviction while the worst
Are full of passionate intensity –
Yeats his go-to on any downward spiral. Egad! 5-6% citric acid. Sour lemons, no? Their ermine has found its way to our henhouse. Crust of crimson blood on white snout. Our hen, dying. Stoat in white coat – a lioness in half-pint packaging. Head walnut-sized, tubular body, white save black-tipped tail, hearing spy-sharp. Five-toed, sharp-clawed, voracious hunter under steppes or in deep snow. Pregnant for a half-life then downward spiral. And oh, hunted for cloud-soft Pelts, prized like vodka, adornment, status for Kings, Czars. Only royalty need apply. Waste not, want not. Capitalize on everything – juice, pulp, rind. Surfeit of sour. At cocktails, my voice a splash of lemon. We’ll stay closed… No paycheck… No center…The Eagles will lose…Children die. See me there, my mouth a crust of crimson blood. Betsey Cullen January, 2019 Attachments:Sour.docx (14.14 KB)
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Sour
Jan 13, 2019 14:59:16 GMT -5
Post by lildawnrae on Jan 13, 2019 14:59:16 GMT -5
What moved me most in this poem was the image of the ermine, a small but mighty aggressor. And certainly ermine was the fur of nobility! The ermine is sympathetic despite the blood on her mouth. The hen isn't as important in this poem, although both are female animals. Images of the animals are joined by images of government troubles and a quote from Yeats. Certainly these are bad times (not the same as the bad times Yeats spoke of but bad, nonetheless.) The cocktail, I believe is a whiskey sour. I don't quite see the relationship between the drink and the ermine and the social context, although I'm guessing it's the government shut down. I'm wondering if that vivid ermine might want to be the star or central image in a poem she doesn't have to share.
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Sour
Jan 13, 2019 20:11:42 GMT -5
Post by bluebird on Jan 13, 2019 20:11:42 GMT -5
Like that "the center cannot hold" is single spaced, crowded...
Love image of "half-life" of white ermine...hunted for royal ostentatious displays of time to be exuberantly cruel.
Wow on : no paycheck, no center, the Eagles will lose....children will die. A complex collage of American images.
Love this poem. K
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linm
Junior Member
Posts: 92
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Sour
Jan 14, 2019 10:15:25 GMT -5
Post by linm on Jan 14, 2019 10:15:25 GMT -5
I see this poem as framed by a cocktail— and I wondered if that framing needs to be made stronger at the start.
“For my Irish father,” seems to represent a toast, a drink to him /his philosophy, that turns out very sour. The image needs to be stronger — I missed it for a long time. The line , “Egad! . . .” makes sense if the speaker is taking a first sip. I love, “Air and Space lockdown” as a metaphor for how universally choking the shutdown is, but in a literal sense, it’s more than “air and space.” i.e. military. I felt a broader additional image was needed.
The ermine is a great choice — an animal people generally don’t know much about. I was most interested in how the animal seems to be wearing a white tuxedo—or gown (since it’s female), and then has “hearing spy-sharp,” (a female Russian spy? it is also kind of cute) and is pregnant half the time, yet a killer. Then they are hunted and commodified; “prized like vodka,” is great, ties in to the cocktail theme, maybe could be even more specific (“prized like Stoli” or whatever is the name of the really elite stuff). (Also, maybe a subtle reference to the current “Russia” problem?)
As you move to the ending, I love the phrase, “surfeit of sour”; and the image of you, my friend, with a bloody mouth is really chilling!
With this reading of the ermine section, I have come to feel that the father’s quoting Yeats may not be the best way to go. The ermine material is about a specific kind of downward spiral—destruction and profiteering, destructiveness of protiteering—but the Yeats is so majestic, it seems to go in another direction from your poem.
Great job taking on the really tough mission of the Gregerson poem!
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Sour
Jan 15, 2019 18:51:04 GMT -5
Post by Gerry on Jan 15, 2019 18:51:04 GMT -5
Lin's thought that the framing isn't strong enough is spot on. You try to make the leap, Betsey, to the ;emon through the voice, hoping "Egad" will be enough of a voice gesture to make the leap work. It isn't, yet. That said, I wonder if the idea of "when life hands you lemons you should make lemonade" wouldn't be a way to get there.
I like the Yeats stuff, though it's a risk to put such a prominent quote early in the poem. It risks casting the shadow of Yeats onto the poem.
The ermine material is quite strong. Ditto the ending.
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